Kengo Takahashi is a Japanese
contemporary metal artist known for working with astonishingly thin aluminium
and high-precision casting techniques. His works often present a carefully
considered structural complexity that generates a tension between opulence and
stillness. The visual density produced by intricate structures is
counterbalanced by the cool, restrained luminosity of aluminium, forming the
distinctive aesthetic of his practice.
Takahashi completed both his
undergraduate and master’s studies at Tokyo University of the Arts in the field
of metal casting, and obtained his doctoral degree from the same institution in
2022. As a result, he not only possesses a solid foundation in technical
craftsmanship, but also demonstrates a high level of sensitivity to theory. His
practice adopts a highly inclusive attitude toward traditional metal craft and
contemporary digital technologies, treating the two as complementary
approaches.
Takahashi often focuses on
natural subjects associated with transience, fragility, and death, such as
flowers, bones, and other organic forms. Using aluminium, he casts these
fleeting images and fixes them at a moment on the verge of disappearance. The lightness
of ultra-thin aluminium resonates with the fragility of organic forms, allowing
living forms to be held in place just before they vanish, creating a state
suspended in time.
By translating transient life
forms into precise and enduring metal structures, Takahashi’s works present a
state in which life and death coexist. Life is compressed into a single moment
that is infinitely extended, thereby detached from a linear timeline oriented
toward decay. His metal boxes and brooches invite viewers to confront the
impermanence of existence, with fragility becoming a temporal vessel that can
be continuously observed and contemplated.