The practice of Chinese jewellery artist Dai Xinru consistently
unfolds through careful observation of social phenomena and sustained concern
for the human condition. She takes jewellery as a starting point for
understanding social structures and individual experience. In her work,
jewellery is endowed with metaphorical and critical functions. Through a
precise formal language, she compresses macro-level social issues into a
wearable scale and translates them into forms that can be understood and
discussed by audiences.
Dai currently serves as an associate professor in the Department of
Product Design at Wuhan University of Engineering Science and Technology, with
primary research interests in jewellery design, enamel, and metal craft. In
addition to teaching, she is also active as a researcher, practitioner, and
curator, which enables her to maintain a high level of awareness regarding the
role of contemporary jewellery within social contexts.
In her practice, Dai often uses geometric forms as metaphors for
different types of collective structures: rational, ordered, and clearly
bounded. The movable silver pins within these structures are regarded as
individuals in constant motion, shifting, approaching, and colliding within the
system. These individuals both participate in the whole and hover at the
boundary between autonomy and dispossession. Through this highly condensed
formal language, she translates abstract social relations into visible and
tangible physical states.
Her work continually focuses on the condition of individuals within
collectives: a contradictory state in which the individual is simultaneously
assimilated and alienated, yet attempts to break free. Proximity and distance,
freedom and control, action and constraint are among the key tensions she
explores. These observations are translated into structural metaphors within
her jewellery works, reflecting a deep empathy for the human condition. Through
jewellery as a medium, she poses a question that continues to resonate: within
a collective, how does the individual perceive the self, and how can one retain
it?
Works:"Less Than One" Brooch Series Time:2024 Texture of material:Silver, Gold-plated Size:3.6 × 3.6 × 2.0 (cm)

"Less Than One" Brooch Series
Time:2024 Texture of material:Silver, Gold-plated Size:

"Less Than One" Brooch Series
Time:2024 Texture of material:Silver, Gold-plated Size:

"Less Than One" Brooch Series
Time:2025 Texture of material:Silver, Gold-plated Size:


